Issues : FE revisions

b. 5

composition: Op. 63 No. 1, Mazurka in B major

 over f in AI & GE3

 under d1 in FE (→EE,GE1GE2)

..

In FE the mordent was placed under the d1-f1 third, which suggests that it concerns the bottom note, d1. It must be a mistake – cf. the text of AI and bars 13 and 73 – caused by a tendency to place marks, e.g. accents, staccato dots, slurs or certain ornaments ( and ) on the side of noteheads. In the case of ornaments and slurs, it can change their meaning, thus leading to a mistake, as is the case here (see also, e.g. the Polonaise in F minor, Op. 44, bar 10).
There is a similar situation in bars 7, 71 and 75.

category imprint: Differences between sources

issues: Placement of markings , GE revisions , FE revisions

b. 7

composition: Op. 63 No. 1, Mazurka in B major

b-c1 in AI, FE2 (→EE) & GE3

c1-d1 in FE1 (→GE1GE2)

..

The c1-d1 second in FE1 (→GE1GE2) must be a mistake (most probably by the engraver), which is proven by b-c1:

  • present in AI,
  • introduced by Chopin in the stage of proofreading FE2 (→EE),
  • present in all sources in bar 75 (upon repetition of this place).

The correct text of GE3 most probably resulted from the fact that a copy of FE2 was used in the revision.

category imprint: Differences between sources

issues: Errors in FE , GE revisions , FE revisions , Errors repeated in GE

b. 7

composition: Op. 63 No. 1, Mazurka in B major

 over d2 in AI & GE3

 under b in FE (→EE,GE1GE2)

..

As in bar 5, the  having been placed under b resulted from a routine revision of FE (→EE,GE1GE2). The misleading notation was corrected only just in GE3.

category imprint: Differences between sources

issues: Placement of markings , GE revisions , FE revisions

b. 61-64

composition: Op. 63 No. 1, Mazurka in B major

c1 tied 4 bars in AI, FE2 (→EE) & GE3

c1 repeated 4 times in FE1

c1 tied 3 bars in GE1 (→GE2)

..

The missing ties to c1 in FE1 are most probably an oversight by the engraver, corrected in FE2 (→EE). The version of GE1 (→GE2) is probably a revision resulting from an analysis of the ties to the top L.H. notes in bars 53-64, which we discuss in more details in the note to bar 55. In GE3 a third tie was added, perhaps under the influence of FE2.

category imprint: Differences between sources

issues: Errors in FE , GE revisions , FE revisions

b. 71

composition: Op. 63 No. 1, Mazurka in B major

 over a in AI & GE3

 under f1 in FE (→EE,GE1GE2)

..

As in bar 5 and 7, the mordent having been placed under the f1-a1 third in FE must be a mistake, corrected only in GE3. The correct notation is also in AI.

category imprint: Differences between sources; Editorial revisions

issues: Placement of markings , GE revisions , FE revisions